Here's a look at what I've been listening to this past month. See what you think, sample a bit of it...it's good stuff.

 

1. Bitter Tea (The Fiery Furnaces)

This is a band that I still have trouble wrapping my brain around. I'm not going to attempt to describe them to you...just picture an indie combination of between the buried and me, the number twelve looks like you and sufjan stevens. that's the best explanation i can give you...and even that doesn't quite cover the band's musical diversity. get into it.

 

2. Thrill Seeker (August Burns Red)

This band is sick with talent. They're probably one of the heaviest metalcore bands ever, and they're easily the best band on SolidState's roster (although the new Underoath is a strong second place for good music, I'll admit that) With some pummeling instrumentals and downright scary vocals and fast paced tunes that destroy any stereo they come through...August Burns Red's music is a must have for fans of heavy music.

3. III: In The Eyes Of Fire (Unearth)

I've gotta say...Unearth is a great band. While it does need to be pointed out that they've been sticking to the same formula for the past few years, you've also got to say that that formula never REALLY gets old. You can't deny that Ken Susi and Buz McGrath are two total guitar whiz kids, and Mike Justian can kill a drum kit like nobody's business. While I haven't heard this whole album...what I have heard will destroy you.

4. Unhallowed (The Black Dahlia Murder)

I was never one of those people who hopped on The BDM's band wagon at first. But after awhile, the fact that they're so...well, corny really doesn't matter as much and you can fully appreciate the sick drum fills and the catchy melodic death metal guitar riffs of their killer debut, Unhallowed. This is a really good cd, and they're a really good band. Just don't waste your money seeing them live.

5. Beauty And The Breakdown (Bury Your Dead)

I've said it before and I'll say it again. If an album has a sticker recommending an album for fans of other bands...ignore it. Especially if Victory Records is the label that put the sticker on there. These are the people who recommended With Honor to people who like AFI and Rise Against...and they dropped the ball pretty badly on the new Bury Your Dead, recommending it to fans of Slipknot and Korn...if you saw that...punch someone close to you, then ignore it and buy the album. This cd is killer...one of the best of 2006 so far, and well worth getting, even if you do happen to be one of those people who likes Korn.

6. Self Destructive Pattern (Spineshank)

Yeah, yeah, yeah, I know they're numetal. But I think we've reached the point where that's no longer a taboo classification. Numetal or not...this is a really, really good album. The opening track 'Violent Mood Swings' is really well written, as is radio-friendly 'Beginning Of The End', and frankly, if you can get into The Agony Scene, you really ought to be able to get into Spineshank...they're really really similar in a lot of ways. Whatever your feelings about numetal...Spineshank is amazing. Check this out.

7. From Russia With Love (Cold War)

In the last few weeks I've listened to this album literally every day. It's so good. Best lyrics, unbelievable musicianship...well, ok...not 'unbelievable'...but really, really good. These guys have some of the best vocals and some pretty sick instrumentals going down as well...I'd recommend this 100% to anyone who likes metal or metalcore of any kind.

8. This Is The Spark Of Life (Zombie Apocalypse)

This is another album that I've been listening to every day...which isn't hard to do...it's not very long, only about eleven minutes. It features ex and current members of Shai Hulud and one of my personal favorites, Shallow Water Grave, and it's unbelievable. Picture a cross between Shai Hulud (the older stuff, like their split with Another Victim or Hearts Once Nourished With Hope And Compassion) and The Misfits. That's basically what you get with Zombie Apocalypse, and it sounds just as good as you'd think it would.

9. Rebirth of the Temple (Silent Civilian)

As you can see, I'm on a big Jonny Santos kick. After the release of Self Destructive Pattern, Santos decided to leave Spineshank. I don't know why exactly, and I don't really care either. After a short disappearance from the music scene, he reappeared with a pretty Trivium/guitar solo-fueled metalcore band called Silent Civilian, who just released this album earlier this year. If you enjoy guitar solos, and singalongs that consist of almost unnecessary use of the word 'Hey' ...this is the album for you. Great stuff, no doubt about it.

10. We Will Become Happy Endings (Brothers + Sisters)

Right now this band's actual album (if there is one) isn't in my possession...yet. But the songs they have on myspace.com that I've listened to are infectious and they remind me of the feeling I had the first time I listened to Minus The Bear...it's catchy, it's minimalist...but at the same time...there are a billion and one layers. I love this band, and I hope everyone at least checks them out. www.myspace.com/brotherssisters

{mosgoogle} 

Last Updated (Saturday, 29 July 2006 09:10)

 

Glass Casket have always been a difficult band to pin down. They've always been "a little bit too deliberately technicaly" or "not quite metal enough" or something of that nature. Something ridiculous I get hung up on that most people don't care about and don't notice because they're not Obsessive Compulsive when it comes to listening to and analyzing music. That being said, I've always had a bit of a problem really getting into Glass Casket...but because two of the band's members are also in South Carolina metal giant Between The Buried And Me, Glass Casket has been largely inactive for the most part since their previous album, We Are Gathered Here Today, was released, and I've had time to digest it to the fullest extent. I'll start out by saying that I bought the band's debut album pretty much just because the band name was cool and I liked the album title (yeah, I do that sometimes.) I loved the first song I think it was called 'Pencil Lead Syringe' . Aside from that, the only other track that stood out to me was the one featuring Christian screamo band Beloved's drummer on guest vocals...mostly that track stood out because it was hysterical to me that the singer from Beloved was on a technical death metal album.

Last Updated (Saturday, 22 July 2006 21:38)

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All Shall Perish's Hate, Malice, Revenge is an album that I listen to virtually nonstop...I love the death metal meets tough guy tones, because if there's anything that can make a blastbeat better...it's a breakdown, and you can qoute me on that. All Shall Perish went through a pretty big change shortly after their critically acclaimed debut album hit shelves, their original vocalist called it quits and was replaced not too long afterward. With very little time in between the recruiting of their new vocalist, the band released a track called "Eradication" featuring their new singer, so that fans could hear what would be in store on the new album. The new vocalist was equipped with a much better range than the former frontman, and he still had the same general low range growls, you could barely tell the difference. In a few months time, the band released the song "Wage Slaves" on myspace.com, as a sneak preview at their new album. The song had EVERYTHING I love in a heavy song...it had sickeningly brutal vocals, it had a breakdown, dammit, it even had cowbell...and there's no such thing as too much cowbell. I couldn't have been more excited for the new All Shall Perish record...I literally squealed with glee when I got my hands on a copy a few weeks ago.

Last Updated (Wednesday, 20 June 2007 01:12)

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Sometimes a band gets so big that it becomes impossible for them to live up to their own hype. I think bands that now fall into this category would include Limp Bizkit (who never deserved the hype they were getting in the first place) Metallica (who, while influential...fell into the trap of believing their own hype) Slayer (although I will be the first to admit God Hates Us All was an AMAZING album) and Slipknot...which is probably why they won't be making any more albums. The newest edition to this pantheon of disappointments (except for Slayer) is Hatebreed. After being heavily influential in the packaging and marketing of modern hardcore and for the commercialization of an entire genre of underground music (but in a good way), Hatebreed have finally hit that wall. After signing with Roadrunner Records, the band hit the studio and recorded Supremacy, which can best be described as eleven or twelve odd tracks that all sound strikingly like Perseverence's Slayer-style anthem "A Call For Blood" over, and over, and over again. If that sounds like it might get a little monotonous...it does. By about the third song. While the few sporadic breakdowns that still occur here are heavier than the usual Hatebreed breakdown...the songs are...well, I think the best way to describe the vibe I get from this album is that even the guys in Hatebreed aren't sure why they're still making albums. As someone who listens to albums quite a good deal, I can say that when a band is bored recording music, the listener gets bored hearing it.

Last Updated (Saturday, 22 July 2006 22:20)

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I'm not going to lie...I love Eighteen Visions. And I'll continue by making it well known that I didn't become a truly diehard Eighteen Visions fan until after I heard Obsession. So yes, I am one of those people who liked the band "after they sold out". I felt that after Vanity...which I literally owned for a year before I listened to it the whole way through (I seriously couldn't stop falling asleep halfway through the cd...it's just way, way, way too long and not interesting enough) it was a necessary change for the band to make to start...well...playing music. That's not to say I didn't like Eighteen Visions before Obsession, I thought Vanity, while it was entirely too long and unnecessarily monotonous, was a great record, and Until The Ink Runs Out was a fantastic, Norma Jean-esque album that was brutal and Starbucks-friendly at the same time. I just felt that the Eighteen Visions that emerged on Obsession, while a little less creative and a little more formulaic, sounded, well, better. James Hart's vocals are easy on the ears, the guitars were catchy, and the tunes were easy to get lost in, even though two or three of the riffs were used four or five times on the same album...I didn't seem to care too much.

Last Updated (Saturday, 22 July 2006 21:31)

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