This is the first time I've ever interviewed a band more than one time, but metal band Elysia's singer and frontman Zak Vargas is entertaining, well spoken, and just so gosh-darn cute I couldn't resist. Here's what he had to say about life for Elysia since we last spoke, and the experience of having a new record out.

 

Vargas: Let's do this

Me: let me put on my pretend professional hat.

Vargas: Let me get my microphone.

Me: Alright. boom. we are all systems go...this is so much easier the second time. Ok, you guys just released your full length album, Masochist. What was the recording experience like for that?

Vargas: Yes we did! It was pretty long and gruesome and still wasn't enough time. *laughs*

Me: Did you guys produce that yourselves, and I just now realized that I asked you who was producing the new record in the last interview, so don't answer that.

Vargas: ok, i won't.

Me: Instead...answer this. A lot of times, bands will go to the studio with certain albums or bands in mind, like a sound they want to shoot for. Did you guys do that or did you really just want to do your own thing.

Vargas: Well we came in with lots of stuff that we had given the guy like months before. There wasn't anything we were shooting for particularly, because you know we wanted to have our own sound.

Me: Right. What sort of things did you really want to do different recording this time that you didn't do last time, or vice versa?

Vargas: Well this time we really just wanted to spend a lot more time on it, which we were able to do with guitars. But I still feel like I wish I had more time, there's a lot I'd like to change.


 

Last Updated (Wednesday, 23 August 2006 02:21)

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Q: How did Cold War get together, and with so many members of other bands, did you all start out as a side project?

A: Cold War began with dudes who were no longer in their previous bands. Some were asked to leave, others had left voluntarily, some were given a plane ticket home from Canada. Since all of these dudes were in previous bands they decided to start a new project, not a side project, in early 2003, in an effort to play in a band no one could be kicked out of, except one. He is no longer with us, his name is Jeff Tryon (not Tyrone). But it's all good cuz he's not really dead, and he plays a lot of Zelda.

Q: How did you guys hook up with Indecision, and are you satisfied with the label?

A: Well, Marc Jackson previously played drums for Throwdown and did a few releases on Indecision, Steve also sang for a band called Welcome To Your Life, which was also on the label. Dave Mandel is a really solid dude, so as soon as we were ready to look for a label, Indecision seemed the best route to take, we are very satisfied with our label and will be doing another release shortly.


Last Updated (Thursday, 10 August 2006 04:20)

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As an album reviewer, which I do consider myself sometimes, I have come to appreciate the beauty of progression. Anyone wondering what I mean by progression should now take a listen to Eighteen Visions' Lifeless EP and then their most recent self titled album for a lesson in "progression". Progression is what makes new music so interesting to people like me, and the reason that I keep spending such ridiculous amounts of time downloading music *gasp* and every once in awhile, spending money on it as well. Enter Elysia, a young upstart band that has helped pioneer the West Coast originated "deathcore" subgenre of what is now a dying metalcore scene. Elysia, along with fellow West Coast metal stalwarts like All Shall Perish, Internal Bleeding, Molotov Solution and Job For A Cowboy, have been moving their newly discovered style of brutality across the country from their homes in California, Arizona and Nevada all the way to the East Coast where Internal Bleeding helped begin the genre, and the trend is fast taking root. Now, what does this have to do with progression? I can remember a friend of mine telling me about 'one of his new favorite bands, Elysia' almost a year ago. I can then remember going home, the little music whore that I am, and downloading every Elysia song I could find on the internet (which, thanks to inventions like Myspace.com, Purevolume.com and HXCMP3.com was nearly a whopping five or six different songs) and sitting at my computer and listening to them, marveling at how unbelievably brutal the music was.

 

Last Updated (Friday, 04 August 2006 23:31)

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I've been listening to a lot of underground, lesser known stuff lately, and I've come up with a list of ten bands that are in my opinion, the best the underground scene has to offer right now. While these are of course, bands that cater to my particular taste in metal, I do have to believe that they are genuinely amazing, and relatively slept on bands at the forefront of their genre. Check them out. 


Last Updated (Monday, 31 July 2006 03:53)

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Since I first bought the band's last album, Of Malice And The Magnum Heart, which to me is as solid a record as they come, I've wondered what a followup to such an original sounding album would be like. Would the band opt for more melody and less...uhm...lack of structure? I guess with Misery Signals that's not even a fair statement, the songs are already ultra melodic and there's more structure than one could shake a stick at, it's just not 'conventional' structure. Would they opt for an easier to swallow, more commercially acceptable approach? Not likely, because the songs, while super technical are easy to swallow at the same time...and very listenable at that. And of course, how would the band sound with their new singer, considering that Jesse Zaraska, the band's original vocalist, who has also been involved with Compromise, 7 Angels 7 Plagues, and SleepingGirl, three very different yet very original bands, recently left the band to pursue his place in Canadian indie band SleepingGirl full time. The truth is, the band's new vocalist is more brutal, meaner, and I want to say more versatile, but don't qoute me on that, than Zaraska ever was. I think the ultimate advantage to having a new vocalist is that every song isn't somehow related to the death of two members of Compromise. While it was good to get that out in Zaraska's case, it made the older album a little bit difficult to relate to, considering several of the songs were very specifically and personally concerning two individuals, often times by name and citing specific situations and events. Sometimes ambiguity is a good thing, especially when the listener wants to be able to identify with a song's lyrics.

Last Updated (Sunday, 30 July 2006 02:12)

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