Black Metal has never been a genre I've felt too compelled to follow, except when keyboards are involved. Something about synthesizers and keyboards tend to make a bland metal offering worth checking out. I love layers, I suppose. So it's very rare when a band says "For Fans of Dimmu Borgir and Emperor" that I feel the need to listen to it. I usually just shake my head and move on to the next album. Unless of course, the packaging makes me think twice. I'll be honest, the album artwork for The Breathing Process's new release, "In Waking: Divinity" is the main reason I felt I should give it a listen. And I'm glad I did. From the album's opening instrumental all the way through to the climactic album closer, The Treasonist, The Breathing Process blasts through powerful, intense music and doesn't look back. The vocals are ridiculous and intense, the guitars are memorable, something I can't say for most bands in this genre. Standout tracks like Somnium, The Treasonist and Dear Antigone make the second half of the record the most memorable and almost make you want to skip through the instrumentals just to get to them, but this is an album that comes as a whole package...not something to be skipped through to pick and choose, but an album that should be swallowed en masse. Besides, there are a ton of little gems strewn throughout this recording. I can't stress enough just how great the vocals are on this disc. John Lafreniere's growls are almost unhuman. In terms of memorable extreme metal vocalists I would put it in line with Mikael Akerfeldt of Opeth, or Marcus Biscoff of Heaven Shall Burn. 

Last Updated (Friday, 01 February 2008 22:35)

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This is a new column I'm working on getting started, where each month I feature a band that I think is worth writing about and telling everyone to go check out their material. As a Pittsburgh native myself, and someone who thinks these guys are the greatest thing since pinch harmonics, this month, I've chosen Pittsburgh-natives, and the newest signees to Solid State Records, Once Nothing. Anyone who follows the bands I enjoy at all knows I've had my eye on these guys since I was still in highschool, and I've always had great things to say about them. Once Nothing play a style of metal that is down to earth enough that it sounds familiar and inviting, mean enough that it makes you want to kick a wall, twangy enough that it makes you want to have a beer, and talented enough that you can't stop hovering your finger over the repeat button. From the time that I first heard Once Nothing, I knew these guys were destined for greatness.

 

Last Updated (Saturday, 12 January 2008 23:16)

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I have to say, I feel old any more when it comes to hardcore. I go to shows, I look at cds in the record store (which is surreal to me in and of itself...hardcore cds in an FYE or a Sam Goody?) and I genuinely don't understand how we went from bands like Snapcase to bands like Throwdown...speaking of which...what the HELL happened to Throwdown, and when did Phil Anselmo start working as their marketing and developing person, and how do I fix that...because their new cd is an embarrassment. All that aside, I'm one of those hardcore kids who genuinely misses 1990-99. Bands like 108 might be making a comeback (finally), but where are the groups like Snapcase and Strife?

Last Updated (Thursday, 13 September 2007 21:25)

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Everyone remembers hearing Parkway Drive for the first time, right? Well...I know I do anyway. I was in my friend's car and he played the song 'Romance Is Dead' for me. And when I heard the line "So cry me a fucking river...bitch"...I knew I needed that album. Indeed, PD's 2006 release Killing With A Smile was well worth the price of admission...they didn't exactly reinvent the wheel, but damn, were those songs heavy. After a fairly successful run both overseas and here in the States, the Aussie metal giants teamed up with Adam Dutkiewicz (is it just me or is this guy's track record just plain immaculate?) to record their follow up album, titled "Horizons".

Last Updated (Thursday, 13 September 2007 21:31)

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Everyone's a little bit biased, whether we like to admit it or not. I've straight up admitted that I love Eighteen Visions...then they broke up. Another band I get a nice stiffy for is Buffalo, NY's Every Time I Die...who I've been a fan of since I first heard Last Night In Town, and my respect for them musically, lyrically and as a live band grows every time they put out new material or come to my home town. Now in 2007, the band's follow up to their uber successful 2005 release, Gutter Phenomenon hits the streets. Inquiring minds want to know, will "The Big Dirty" be a shitfest...or just a mess? The record has more of a Southern grunge rock feel to it than Gutter Phenomenon (think of moments like 'Tusk and Temper', 'Gloom And How It Gets That Way' and 'Bored Stiff').

Last Updated (Thursday, 13 September 2007 21:29)

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